Frankenstein : the legacy collection : Frankenstein ; Bride of Frankenstein ; Son of Frankenstein ; Ghost of Frankenstein ; House of Frankenstein
Frankenstein / produced by Carl Laemmle, Jr. ; directed by James Whale ; screen play, Garrett Fort, Francis Edwards Faragoh (1 hr., 10 min.) -- Bride of Frankenstein / produced by Carl Laemmle, Jr. ; directed by James Whale ; screenplay, William Hurlbut (1 hr., 15 min.) -- Son of Frankenstein / a Rowland V. Lee production ; directed by Rowland V. Lee ; original screen play, Willis Cooper (1 hr., 40 min.) -- Ghost of Frankenstein / produced by George Waggner ; directed by Erle C. Kenton ; screenplay, W. Scott Darling (1 hr., 8 min.) -- House of Frankenstein / produced by Paul Malvern ; directed by Erle C. Kenton ; screenplay by Edward T. Lowe (1 hr., 11 min.).
Bioethics in Mary Shelley's Frankenstein by
When mad scientist Victor Frankenstein defies the laws of nature to generate human life, he quickly finds himself appalled by his creation and abandons it. Frankenstein's monster, now sentient, must come to terms with his alienness in a world that despises him. Mary Shelley's Frankenstein has remained a classic literary tale for its brilliant reconciliation of modern science and the age-old cautionary tale. This compelling book offers readers a collection of seventeen essays on the role that bioethics plays in Frankenstein. The book also covers Shelley's life and work, her knowledge of science and the sources she drew from, how the novel taps into our bioethical desires and fears, and a discussion of contemporary issues such as legalizing the sale of body parts and lifting the barriers to stem cell research.
Black Frankenstein: the making of an American metaphor by
For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans. Black Frankenstein stories, Young argues, effect four kinds of racial critique: they humanize the slave; they explain, if not justify, black violence; they condemn the slaveowner; and they expose the instability of white power. The black Frankenstein's monster has served as a powerful metaphor for reinforcing racial hierarchy--and as an even more powerful metaphor for shaping anti-racist critique. Illuminating the power of parody and reappropriation, Black Frankenstein tells the story of a metaphor that continues to matter to literature, culture, aesthetics, and politics.
Classics Reimagined, Frankenstein by 
The Essential Frankenstein : including the complete novel by Mary Shelley by 
Frankenstein : the 1818 text, contexts, nineteenth-century responses, modern criticism by 
Frankenstein: the First Two Hundred Years by
This book will trace the journey of Shelley's Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel's origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels.
Frankenstein: the Lynd Ward illustrated edition by
Nearly 200 years ago, a teenager dreamt of a scientist who experimented with restoring life to the dead. Encouraged by her literary-minded friends, she expanded her fantasy into a gripping story that became the epitome of the Gothic novel. Mary Shelley's suspenseful narrative of a misbegotten monster's revenge resounds with compelling questions about ambition, responsibility, and other issues that continue to enthrall modern readers. Acclaimed as both the first modern horror novel and the first science-fiction novel, Frankenstein has inspired numerous interpretations. This magnificently illustrated edition features the complete wood engravings by graphic artist Lynd Ward. A master of woodcut technique, Ward combined elements of Art Deco and German Expressionism in his images. His unusual perspectives and dramatic light-and-dark contrasts offer the perfect complement to Shelley's moody masterpiece.
Frankenstein: Junji Ito story collection by
The master of horror manga brings the world's greatest horror novel--Frankenstein--back to life. Junji Ito meets Mary Shelley! The master of horror manga bends all his skill into bringing the anguished and solitary monster--and the fouler beast who created him--to life with the brilliantly detailed chiaroscuro he is known for. Also included are six tales of Oshikiri--a high school student who lives in a decaying mansion connected to a haunted parallel world. Uncanny doppelgangers, unfortunately murdered friends, and a whole lot more are in store for him. Bonus: The Ito family dog! Thrill to the adventures of Non-non Ito, an adorable Maltese!
Frankenstein, or, the modern Prometheus : annotated for scientists, engineers, and creators of all kinds by
The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects. Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, "the modern Prometheus," tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms--as a seminal example of romanticism or as a groundbreaking early work of science fiction--Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript--meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text--with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written. Essays by Elizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann
The Monsters: Mary Shelley and the curse of Frankenstein by 
Monstrous Progeny: a history of the Frankenstein narratives by
Mary Shelley's 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth? Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley's novel from the sixteenth century and analyzing the evolution of the book's figures and themes into modern productions that range from children's cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley's tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
Transmedia Creatures: Frankenstein's afterlives by
On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from "below") that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories--among them the family, horror, monstrosity, diversity, education, risk, technology, the body--from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
